Unidentifiable Source of Pain

 

I am interested in ecosystems and environments because they affect how we live and feel. A city and its neighborhoods are ecosystems. Their design influences the health, behavior, and perception of the community.

A lower-class neighborhood, for example, has zoning for businesses that would never be acceptable in an upper-class one. The air there is different, and the resources, like schools, are too.

Every little part of what surrounds us, even inside our homes, affects us. The design of a space can make a person feel sad or anxious, and the same goes for cities and the culture of countries.

A staged photo of a diorama about the effects of urbanization, architecture, and sociodemographics on the culture of a city

One of the first things I noticed when I immigrated to the US was the lack of plazas or public spaces to socialize without consuming. In Mexico City, I could always go to Coyoacan and find someone I knew. Wearing all black was enough to sit together and talk even if we didn't know each other. I made many friends that way because people from underground subcultures knew to go there.

What I had available in the US were streets with businesses and a society worried about talking to strangers. Meeting people wasn't easy, so I quickly understood why people accumulate so much and feel alone.

In 'Undientifiable source of pain,' an older man spends the day outside. He walks along a street, having small interactions with people and dogs that we can't see, but eventually goes home alone.

Exhibition view of a large-scale art photograph. The photo is a diorama about the effects of urban design on culture.
 

 

 P R O C E S S

'Unidentifiable Source of Pain' is inspired by German Expressionist cinema and intended to look like a black and white film strip. First came the storyboard, later the background drawing, and finally, the creation of the character and all of his interchangeable parts.

The final panorama, finished in photoshop, is nine meters long (29.5') and composed of 13 storefronts, each in the proportions of one camera frame.

Leticia Gravitania drawing the background for a 9-meter long stage photograph about solitude and urban design